90ties tehcno tunes! obacht!!!

live recordings of marvin gayes greatest hits on 180 gram vinyl.

remastered reissue of the 1991 debut album from electronic, aka bernard sumner (joy division, new order) and johnny marr (the smiths).

incl. strong cats n dogs remix!

third part of s.a.m. s prolific trilogy.. future classic

gamine ihre erste ep -enter the simulated platform- ist ein vorgeschmack auf uruguayischen techno aus einer dystopischen zukunft.

4lp with gatefold sleeve, 6 page insert, and engraved side d.

van abbe is back with no comment presenting 2 originals, a monologue from guy tavares (bunker records) + an evigt mörker remix. what did you feel the first time you were stargazing? standing alone in a dark backyard with your neck bent and the light from a thousand distant suns glittering in your bright eyes. did the overwhelming sensation of your own triviality descend upon your young soul like a dementor from azkaban? or did an unprecedented yearning breach every fibre of your being, compelling you to break free from the shackles binding you to the very ground? if you are in the latter category, this music is constructed especially for you. its a spaceship built from wooden barrels and rusty metal crates, pinned together with a multitude of crooked nails. but it works. it really does. you just have to make your mind broad enough to fit your clumsy terrestrial body in the spacecraft. the booming engines and the melodic bleeps from the control panel will do the rest. soon enough you’ll find yourself surrounded by the very stars you used to gaze upon as a child.

next ilian tape release

great collaboration of emotional response and ocean moon

timeless disco classic!

orlando b did it again!

elektrische schallwellen die durch unseren schlaf und unsere träume pulsieren...

incl. larry heard aka mr. fingers deep mix! tip!

repress!

after releases on distant hawaii, lobster theremin, concrete music, automatic writing france, chineurs de house.... now on negentropy

phuturistic electro / techno music written by an alien microchip, connected to the intergalactic celestial circuits. transmitted across the space time continum from a distant galaxy populated by artifically intelligent robots. this message was intercepted by the hacker command and recorded to wax for phuture generations to interpret.

tip !! : incl jon cutler - its yours !! (originally released on distant music )

smashing techno vinyl

limited to 200 copies, the handmade vinyl cover is painted by sasha sime, thus making each copy unique. hot on the heels of paul ritch s >s.c.u.d< ep, quartz rec welcomes joton for a slamming ep >the fourth d<. the spanish producer and new rhythmic label owner delivers highly effective techno grooves on >the fourth d< and >dark sculptures<, while distant sounds on >different faces< and mystic chants on >diatomic< give this ep a shamanic dimension.

prime time ravisch techno

repress - welcome to the fourth chapter of the elaste series! in this compilation i am progressing a style i am inaugurating: vintage futurism. the best metaphor for this genre is charanjit singhs 1982 album ten ragas to a disco beat in which he created a sound which mirrors, but more importantly pre dates, the first acid house record by five years. it is no novelty record, but truly capturing the hypnotic potential of acid/house music. it became my key track for elaste volume 4

on their debut album as dovs, tin man and aaaa summon the ethereal spirit of acid

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#

john also bennett aka jab with his second longplayer for shelter press. the vinyl release includes a download code.

viktorias first ep on her imprint shows her approach to dancefloor oriented techno. the bass heavy beats of black jack create a joyful, classic vibe. winters tale drifting synths and distant vocals provide a hypnotic and haunting atmosphere. winters tale remix made by la techno veteran developer, clearly reveals his taste of pulsating groove. delta closes with korg made synths, freaky melody and no nonsense percussion work

new suara with croatias finest techno producer, insolate !

melodic euphoric 4 tracker!

naibu follows up his superbly received -corners lp- with another high quality album.

chasing after
listening to snow
teasing a butterfly
our temporal way

mikron return to cpu with their second album severance . the corcoran brothers refine their critically acclaimed sound which has evolved to be more haunting than the last release. this album is a nostalgic affair with synthetic landscapes washing over you, before propelling you into the distant future. the ambient moments draw parallels with boards of canada, burial and selected ambient works vol. 2. their last album sold out fast, so don t sleep on this.

3rd part of the assembling series with tracks from onirik, martinez, reedale rise and markus sommer & felix kluge.

the 2011 album from snow patrol back on double vinyl, cut at 45rpm. housed in a gatefold sleeve with download code included.

ltd to 350 copies

mj lallo sings to trees and distant planets. she plays drum machines, synthesizers and processes her voice to sound like percussion, space ships, trumpets, birds and words from an unknown language. tip!

inspired by the resounding contrast, the one that maintains the balance in between two concepts. it doesn’t matter how distant they are. leiras delivers a new excursion on this new 12”, exploring the wasteland and the hostile terrains, but somehow luminous, sometimes even pleasing. under this apparent antithesis, the first part of “turquoise tundra” starts in a tipping point.

the latest release on arma comes from dutch legend and devoutly deviant underground operator ruud lekx, aka rude 66. with a legacy that reaches back to the early 90s and the rough and ready dutch electro sound of bunker records and the hague, hes maintained a distinctly non-conformist approach that touches on acid, italo, techno and more besides, all finished with the punky attitude that sets him and peers like unit moebius and i-f apart. the tracks gathered together on the witch trials ep come from throughout lekxs career. as the artist himself says, tracks from wildly different eras and sessions suddenly can combine to form one coherent ep. its almost like the a-side tracks were waiting for 20 years to be combined with the b-side tracks. the overriding theme that binds together these timeless machine excursions is that of medieval witch trials a global phenomenon that peaked in the 15-1600s. considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, lekx points to the parallels with the current age, of political polarization and fake news accusations flying all over. the ep title is also a tribute to two records close to his heart: the falls live at the witch trials, and the one-off witch trials project by members of the dead kennedys, adrian borland and christian lunch. werewolves & poisoners and the crusade against idolatry are both archive tracks from the 1994-5 period when lekx made his first albums for bunker records.

limited edition transparent green double vinyl with download code for all 32 tracks.

frigio consistently plumb the depths of electronics to find new material, and this time the madrid imprint has unearthed, in the murky currents, a real gem. tecwaa is the solo project of york based producer paul fawcett, a musician who discovered his sound in the british warehouse parties of the early nineties and went on to nurture it with movie scores, detroit techno and homegrown electronica. his debut brings together three pieces of original machine music alongside a very special remix. the menacing -the eighth circuit- broods into being. looming synthwork is further darkened by distant vocals, house percussion keeping time in this sinister opener. -mantra & machine- has similar attributes. adopting clean rhythms, the track refuses to sit comfortably in any genre pigeonhole as tecwaa weaves a work of cerebral depth. charles manier introduces the flip with his take on -fervour-, tadd mullinix returning to frigio for the first time since his superb remix as jtc of juanpablo s -dream- in 2010. a funk laden work of hip hop breaks and industrial distortion where manier explores blackened moods and horrorshow grooves. the original of -fervour- closes, showing another side of fawcett s style, bpms drop as foundations are laid bare in this stark conclusion.

as always, the return of ruede hagelstein is inevitable and with each return he ups the ante tenfold showcasing his ever growing prowess behind the studio door. it seems as if, with each ruede ep, the amount of elements utilized shrinks while at the same time the sound grows in power and dominance and that could not be better exemplified than here. consisting of two originals and a remix from the one and only martin buttrich, the ep is a gross display of well thought out, mature dance floor jewels. opening the short player is hagelsteins ‘dematerialize feat. justin evans where a sinister yet soothing vocal sets the tone for the entire track, laying the groundwork for a gorgeous bass drum and shimmers of distant percussion carry us into celestial spaces. ‘forward vision is up next and follows suit by relying on a brooding minimal groove to drive the shimmers of glistening atmospherics and sparkling sonics optimal for dizzy and delirious club moments. last but certainly not least we turn to the legend who is martin buttrich to twist the original ‘dematerialize feat. justin evan into a more straightforward composition with his signature stylings opening the doors of accessibility to a wider demographic of disc jockeys resulting in a track that stretches the playability to a wide range of disc jockeys

rq’s debut lp for blu mar ten music, ‘solid ground’, occupies a darkly dreamlike hinterland, located somewhere between the retro-futurism of photek and alice coltrane’s jazz psychedelia. fragmented, distant beats, rippling modal patterns and restrained astral basslines provide rhythmic and harmonic anchors to a constellation of timbres and textures.

the fantastic new single from okinawa delays feat. the delightful vocals of satoko ishimine is a cover version of the neil young/ nicolette larson classic. limited first edition twelve inch on light blue transparent vinyl & comes with fine selection of remixes from phil mison, psychmagik & willie graf & darren eboli. okinawa delays consists of the talented producer takeo toyama aka dj mizuki and the singer satoko ishimine. takeo met satoko almost five years ago when he hosted a party on irabu island that is a one of the distant islands of okinawa. we basically thought to make something like aor tracks like dusty springfield or fleetwood mac instead of city pop, also satoko likes that song, so we decided to go for it and im very pleased with the result.

spirituals operates under contradictory, sometimes combating, stylistic principles. somehow, however, small glints of emotive euphoria always seem to emerge from the muck and mire at just the right time. love changes, an eerily relatable distant memory, floats in an unsettling, yet celebratory dreamscape. gersts is nested comfortably in a cautiously optimistic daze. in canadian national, the priming of a train engine turns into a snare-driven house banger ¹ a prime example of spiritualsã obsession with combining natural and synthetic moving parts. as it rotates and revolves through ranges of blissfully dissimilar materials, doumen 07 elegantly drapes us in an emotional, shimmering house-coat with pulsating thumps to wear as our slippers.

experimental ebm techno ep

fortuna records return with a mysterious album by the anonymous artist known only as moontribe. a deep-space journey between tribal percussion, hypnotizing organs and long echo ripples, all joining in for a snake-charming voodoo ritual of which moontribe is the shaman. expect african drums, hints of cumbia, and distant galaxy exploration in unmeasured doses. an absolute must-have for fans of sun ra, moondog and idris ackamoor.

deep listening, spatial imagery and floating introspection evoked by genres of ambient and electronica to enhance the immersive journey with rhythms of dub, bits of breakbeats plus erratic frequency rumbles and machine noises.

elision imprint kicks things off for their first release with heavyweight nima gorji. hypnotic atmospheres are underpinned by a foundation that keeps on rolling, while distant celestial resonances and intriguing vocal reflections consolidate the tight, percussive groove. varhat’s remix builds on some primary motifs from gorji’s track and deeply integrates with an up-front bassline that’s here to take names, not prisoners. east end dubs brings a mesmerising contrast with his complimentary and immersive approach that precisely rounds off elision 1.

after last years excellent discoveries from volume 1, another batch of lost and unreleased dutch (cassette) material is coming back to the future. for this sequel we dug deep into the dutch lowlands and again found some independent music thats still relevant today. in the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. expect a wide palette of diy and experimental sounds by artists from groningen, zwolle, arnhem, the hague, rotterdam, tilburg and deurne. volume 2 will also feature a beautifully designed inlay with liner notes in dutch and english. mastered by wouter brandenburg, designed by steele bonus and compiled by mark van de maat.